Book: Mark Twain’s Innocents Abroad

The Innocents Abroad, or the new Pilgrims’ Progress
by Mark Twain

Published in 1869

The gentle reader will never, never know what a consummate ass he can become, until he goes abroad.

Innocents Abroad was Mark Twain’s first travel book and also his best-selling book during his life time.   A travel writing classic, it features in Conde Nast Traveler’s 86 Greatest Travel Books of All Time and World Hum’s list of 100 Most Celebrated Travel Books.   

The details of the trip are well known.  In 1967, just two years after the end of the American Civil War, Twain joined a group of 60 or so other passengers on a tour of the Mediterranean (“a pleasure excursion” and “picnic on a grand scale”).  The voyage was to be undertaken on the paddle steamship, the Quaker City.  Decommissioned following service in the Civil War, the Quaker City had been refitted “with every necessary comfort” including a library, musical instruments and even a printing press so that the passengers could print their own newsletter.  

Innocents ABroad USS_Quaker_City

The trip lasted about 5 months.  It took a fortnight to reach Gibraltar from the US and Twain reports (not without apprehension at the anticipated boredom) that it would take several weeks to steam back to the US from the Eastern Mediterranean; a long time to spend on a boat about 75 metres in length.   

In the remaining four or less months, the ‘Pilgrims’ packed in an impressive amount, taking in (among other places) Tangiers, Paris, Milan, the Italian lakes, Florence and Rome, the Black Sea ports of Sebastopol (for some Crimea battlefield tourism), Yalta and Odessa before heading to the Holy Land which was the ultimate goal of the trip.  

The only thing more impressive than the number of places visited by the Pilgrims was Twain’s output.  Twain’s $1,250 fare for the voyage was paid by The Daily Alto California.  In return, he sent the San Francisco paper over 50 letters which it published and which later formed the basis of the 600 plus page book Twain wrote after his return in 1868.    

Twain Innocents Abroad

From the outset Twain makes it clear that he is not writing an earnest and reverent travel book, calling it a “record of a pleasure trip” and he proceeds to rail against travellers, travel pretences, foreigners and foreign places and also travel writers.

Twain is unsparing of Parisian barbers, tour guides, European use of soap, Turkish baths and, of course, ‘our friends the Bermudians’ as well as a great many other things he encounters.  He professes to be sated by walls of paintings and is sceptical of tourists who express wonder at the Last Supper and instead claims to be more interested in turnpikes, depots and boulevards of uniform houses because he understands them and is not competent to act as a guide to Europe’s art treasures for his readers (“I make small pretense of showing anyone how he ought to look at objects of interest beyond the sea—other books do that, and therefore, even if I were competent to do it, there is no need.”)  Twain’s humour is, for the most part, gentle and aimed at deserving targets.  Only occasionally is he biting or more cruel but his wit is invariably delivered with perfect timing.  

The innocents abroad: or, The new Pilgrim's progress. By Mark Twain. Uniform title: Prospectus Publication info: Hartford, Conn. : American Publishing Co., [1869] Special Collections Copies Material Location PS1312 .A1 1869ca RAREBOOK Special Collections SC-BARR-STThrough his observations and humour, Twain encourages the traveller to look for things which interest him rather than simply those things noted in guidebooks or travel books.  

Twain mocks different traveller types, from the Oracle who bores his fellow travellers with knowledge gleaned from guidebooks and passed off as learned, the Old Travellers who brag and “prate and drivel and lie”, the consummate ass who dresses in local fashion and feigns a foreign accent and the Vandal who inscribes his name on monuments.  He makes fun of their insularity, ignorance and innocence.  While his own innocence may be feigned, Twain also turns his pen on himself, confessing to be variously, a “consummate” and “egregious” ass.

He reserves special mention for travel writers who “heated their fancies and biased their judgment”, turning out “pleasant falsities” either to be popular or to deceive or who slavishly emulate other authors.  Twain is critical of his fellow Pilgrims who ‘smouch’ their opinions about places from those books so that they “will tell of Palestine, when they get home, not as it appeared to them”, but as it appeared to writers of travel books.

Innocents Abroad is therefore an exercise in suggesting to the reader “how he would be likely to see Europe and the East if he looked at them with his own eyes instead of the eyes of those who traveled in those countries before him.”   

Although referred as a travel writing classic, in its railing against traveller types, travel pretences, foreigners and foreign places as well as travel writers, Innocents Abroad could in some ways be considered an anti-travel writing classic. With his repeated comparison of foreign sights with the US, Twain also gives the impression of someone who would almost have rather remained at home. Nevertheless, it is clear he is ‘pricking bubbles’ and ‘exploding humbugs’ of travel, not least those who slavishly adhere to guidebooks and express wonder and delight on cue. 

In common with other serialised Nineteenth Century books, at times Innocents Abroad seems a little lengthy, but is almost always enjoyable.  Twain meanders at some points of the Holy Land excursion when recalling his bible history, but even those chapters contain some excellent passages and anecdotes.

Some contemporary reviews of Innocents Abroad are available on line here and include WD Howells’ review for the Atlantic, and also a spoof review written by Twain himself.  

Innocents Abroad is available download for free in a variety of electronic formats at Amazon, Project Gutenberg, or the Internet Archive.

If you like the sound of this, you might also be interested in Labels by Evelyn Waugh.

 

 

Book: Peter Fleming’s Forgotten Journey

To Peking: A Forgotten Journey from Moscow to Manchuria 
by Peter Fleming

Published by Tauris Parke Paperbacks (originally published by Rupert Hart-Davis in 1952) 

“Well, we’ve been on a journey with Fleming in China, and now we’re real travellers for ever and ever” (WH Auden)

Peter Fleming was older brother of Ian Fleming, author of the James Bond novels. 

His travel writing career was short but distinguished and brought him worldwide fame long before Ian had penned the James first Bond book.  The period in which Fleming made his reputation lasted from just 1932 to 1935, while he was in his mid-20s.  In later life, he referred to it as the part of his life he spent  “swanning” around.

Fleming’s “swanning” began after his education at Eton and Oxford, when he travelled to the US to pursue a financial career.  His arrival, just a fortnight before the Wall Street Crash, coupled with an indifference to the world of finance, meant that Fleming seized an opportunity to go to Guatemala.  After that, he abandoned finance and returned to London in 1931 to began a literary career at the Spectator magazine. 

Within a few months, Fleming was off to China on behalf of the Royal Institute of International Affairs to a conference organised by the Institute of Pacific Relations.  Again his timing was inauspicious as the Japanese had just invaded China.  

After returning to London and the Spectator, Fleming’s big break came after he joined an expedition to Brazil to search for Colonel Percy Fawcett.  His travel writing career was born and Brazilian Adventure, a success on publication in 1933, is still in print. 

Fleming’s next journey was another trip to China on behalf of the Times newspaper.  This led to his second book, One’s Company, and although he later described it as “much worse than the first”, it was a success nonetheless.

In 1934 Fleming set off for China for a third time, this time overland via Russia.  This is the trip featured in A Forgotten Journey.

Now reprinted by TPP as To Peking, A Forgotten Journey is Fleming’s diary of his journey from Moscow to Peking between August 1934 and January 1935.  That trip was anterior to his main purpose, a journey overland from China to India (later published as News from Tartary).  As a mere prelude, Fleming’s diary remained unpublished until 1952.  Few alterations have been made to the original text which was published more or less “as it stood”.  Less polished than his other books, it still makes good reading. 

The first part of the book recounts Fleming’s journey from Moscow to the Caucasus to get some shooting with his friends Lord and Lady Gage. (Shooting was one of Fleming’s lifelong passions, as the frequent references in his diary attest. Perhaps fittingly, he was on a grouse shoot when he died in 1971).

Peter_Fleming_pipe<

After leaving Lord and Lady Gage at Baku, the second part of the book finds Fleming continuing his journey across the Caspian Sea, through Ashgabad, Samarkand and Tashkent before turning north to join the transiberian railway to Vladivostok.  From there he embarks on a farcical and unsuccessful shooting trip in search of a Siberian tiger. 

Fleming then heads to Manchuria (which had been invaded by the Japanese in 1931) where he meets up with Ella (‘Kini’) Maillart (the Swiss explorer and travel writer) before exploring Manchuria and Jahol and spending Christmas and New year in Shanghai and Peking. 

While not his most highly regarded book, the diary is nevertheless an interesting account of China and travel in the region at a particular period and told with Fleming’s dead pan humour.   

The diary in A Forgotten Journey ends shortly before Maillart and Fleming began their 3,500, 7 month overland journey from Beijing to Kashmir via the Chinese province of Xinjiang in February 1935 (their accounts of that trip were published as News from Tartary (Fleming) and Forbidden Journey (Maillart)).  

Looking back on his ’swanning around’ period, Fleming reflected:

Three years; three interesting, fairly hard journeys. Three books which all fell on their feet.  […] It was all great fun.  The feeling that you had the run of the world.  […]  The chance of leading an almost entirely out of door life. But what good did it do anyone, except me and, I suppose, my publishers.  Perhaps a few sick or lonely people whose lives were made briefly less intolerable by the stuff I wrote.  I should say precious little probably none at all and I’m quite prepared to believe that I would have turned into a more useful citizen if, instead of just ’swanning’ I’d spent my middle twenties studying chartered accountancy or quantity surveying or grassland management but, well, I didn’t and there it is. – from BBC’s Travel Writers (The Spoken Word)

A Forgotten Journey is the less well known fourth book from the same period which also saw Graham Greene, Evelyn Waugh, Patrick Leigh Fermor and Robert Byron all making journeys which resulted in classic travel narratives; a period Paul Fussell later called the British literary diaspora of the inter war years.

Fleming’s travels were not over by 1935.  After returning from his trip with Ellie Maillart, Fleming married actress Celia Johnson (Johnson went on to successful collaborations with Noel Coward and David Lean during the 1940s, most famously in Brief Encounter starring opposite Trevor Howard).

Fleming turns up in China again in 1938 (this time with wife, Celia) at a party in Christopher Isherwood and WH Auden’s Journey to a War.  (The party was also attended by British Ambassador to China, Sir Archibald Clark Kerr, whose next posting was to Russia in 1942 where he penned the famous ‘Dear Reggie’ note).  Isherwood describes Fleming “with his drawl, his tan, his sleek, perfectly brushed hair, and lean good looks” and concludes “he is all together too good to be true – and he knows it.”   However, the pair were impressed with Fleming’s charm, physicality, linguistic and organisational skills, not to mention his Chinese habits, and eventually drop their defensive attitude (which they admit to being a “blend of anti-Etonionism and professional jealousy”).

In the postwar period, Fleming seems to have been outshone by Ian’s success with the James Bond books.  However, for any lover of travel writing, as for Isherwood and Auden, he will always be “the Fleming Legend”.

Further biographical information on Fleming and his work can be found in this article in the Telegraph and this article in the New Criterion.