Thanks to a caffeine break at Kioskafe near Paddington while cycling to work one morning last week, I stumbled across two Good Things.
The first is a journal called Elsewhere. Founded and edited by Berlin-based Paul Scraton and Julia Stone, Elsewhere is “dedicated to involved and intelligent writing about place, whether from travel writers or local ramblers, deep topographers or psychogeographers, overland wanderers or edgeland explorers.”
One of a growing number of new print travel publications, Elsewhere is published twice a year and is now in its third year. The latest issue has essays about places as diverse as Papua, Portugal and Prague and its fifth issue must be due fairly soon.
Curious to know more, a quick search revealed that Elsewhere‘s website has a blog featuring a regular monthly ‘postcard’, a book review and essay such as this piece about Copenhagen by Laura Harker in which she examines the preconceptions we have about places gleaned from TV, film and books and what happens to those preconceptions when we actually visit them.
The Elsewhere blog led me to the second Good Thing, the Papertrail Podcast, a monthly podcast series in which Alex Blott, its founder, interviews authors and creatives about three of their favourite books.
Anyway, it turns out that Alex’s most recent Papertrail interview was with Elsewhere co-founder Paul Scraton who selected three books about places. I settled in an ordered another coffee.
You can listen to the interview below or on Papertrail‘s website.
Scraton’s first choice of book was What I Saw, a collection of Joseph Roth’s journalism, written in Berlin between 1920 and 1933. Interestingly, it is translated from a German collection, Roth in Berlin, which was subtitled ‘A Reader for Walkers’.
The original German version of Roth in Berlin contained a practical dimension which, Scraton explains, acted as walking guides. Those parts are omitted from the translation, largely because many places described no longer exist but, for Scraton, the book still served as an introduction to Berlin and some of its stories when he moved to Berlin about 15 years ago.
Scraton’s second choice was Jan Morris’ ‘last’ book, Trieste and the Meaning of Nowhere in which the story of the city is intertwined with Jan Morris’ own story, looking back over 50 years. As The New Yorker put it:
[Jan Morris] who first visited Trieste as a young soldier in 1946 and last as an elderly woman, plumbs the mysteries of the city’s melancholy, and the result is a meditation on the locus of the self and its confabulation of psychic history and accidents of geography.
In the course of an appreciative discussion about the book and Trieste itself in the Papertrail interview, Paul Scraton describes it as:
a powereful book about place, but also about writing and about how we interact with a place as individuals.
To read more about Trieste and the Meaning of Nowhere, see The Guardian‘s review here and The Observer‘s review here.
The last book, Yugoslavia, My Fatherland, is a novel about “the disintegration of a country and the disintregation of a family at the same time”. In this short novel, author Vladan Borojevic tells the story of young man who believed his father to have died during the civil war following the break up of Yugoslavia but, after discovering that he is not only alive but also on the run for war crimes, embarks on a journey around the Balkans to learn the truth about his father.
Three fascinating and excellent books and some interesting insights about how we understand places in layered ways and the way that other writers have understood a place can influence our own understanding, this is a podcast worth a listen.
Other podcasts in the Papertrails series can be found here, or on iTunes.
In addition to editing and writing for Elsewhere, Paul Scraton’s writing can be found on the blogs Under a Grey Sky and Caught by the River. He has also writen a book to be published in June 2017 by Influx Press, Ghosts on the Shore: Travels Along Germany’s Baltic Coast, which I will be looking out for this summer along with the next issue of Elsewhere.