I am having by far the most interesting time of my life…I am so thankful to be here at this time.
Interesting trailer for the Kickstarter funded documentary about Gertrude Bell, the woman who was more influential in the Middle East than her contemporary Lawrence of Arabia and who shaped the destiny of Iraq.
The trailer for Letters from Baghdad gives an overview of Gertrude Bell’s privileged upbringing and her subsequent career as adventurer diplomat, archaeologist and spy in the first quarter of the 20th century.
Using fascinating archive footage and with Tilda Swinton reading from Gertrude Bell’s correspondence, this documentary will be one to watch as it follows the incredible career of a woman who rose to a position of extraordinary influence in two male dominated cultures.
An enduring story, the film also explores how Bell’s influence echoes in our own time, drawing parallels between her insights and current affairs.
At the time of writing, it looked as though the film will be ready for release shortly with previews already taking place. Certainly one to watch out for.
All the earth is seamed with roads, and all the sea is furrowed with the tracks of ships, and over all the roads and all the waters a continuous stream of people passes up and down travelling, as they say, for their pleasure. What is it, I wonder, that they go out for to see?
Throughout an impressive career that encompassed writing, travelling, political administration and diplomacy, archaeology and espionage, Gertrude Bell travelled extensively throughout Syria, Mesopotamia, Asia Minor and Arabia.
Bell’s traveling career divides roughly into three periods – tourist, student and scholarly/political. This trip falls within the first, some time before the most famous part of her career when she was helping to shape British policy in the Middle East and Iraq as a contemporary of TE Lawrence.
Bell made this journey to Persia in her mid-20s following her studies at Oxford. Her uncle, Sir Franck Lascelles, had recently been appointed British minister in Tehran and Bell accompanied her aunt to visit him in 1892.
After this trip to Persia, Bell’s focus shifted to the Arab world and later to what became the Hashemite kingdoms of Jordan and Iraq in the period following the First World War.
The basis of Persian Pictures were the letters that Bell sent home during her trip. The book was originally published anonymously and was not published again and under Bell’s name until 1928, two years after her death.
Persian Pictures is, as expected, a series of sketches each covering different topics.
Tehran street life is described in rich detail with wry observations and her thoughts about the bazaar could be true of many others (“though little of really beautiful or precious is to be found, the thronging of Oriental life is in itself an endless source of delight“).
There is a visit to a Persian princess, camping with nomads in wild mountains, an inspection of the dazzling jewel laden objects in the Shah’s treasury and also a rest stop at a caravanserai on a journey to the Caspian Sea, where the loaves of bread for sale were thin flaps and resembled “flour mixed in equal parts with sand and fashioned into the semblance of brown paper”. Bell and her companions are invited to join a stranger for lunch and so are spared the unappetising bread and ride away having experienced the hospitality and courtesy of the East.
In another episode, spending the night on a stranger’s floor Bell describes the traveller’s delight of sleeping in unexpected places and of experiencing shared humanity in the simple and basic things. Throughout, Bell tries to get beneath the surface to uncover Persia’s secrets and closely observes the characters and manners of the people she meets including at a religious festival and in response to an outbreak of cholera.
Persian Pictures is a short book but full of evocative and tantalising depictions of aspects of a country that has long since changed. Poetic at times, Persian Pictures is rich in quotable descriptive passages and thoughts about the experience of travel, including an excellent section on the art of bargaining with merchants and another about travel companions and the true pleasure and purpose of travel.
Bell is joyful and exuberant in Persian Pictures. Like a rebirth, flowers bloom with just a little water from dead desert landscapes and, from the silent, extinct world of some ancient ruins, overnight rain brings forth the freshness of damp earth and desert flowers in the morning sun (“For us the wide plain and limitless world, for us the beauty and the freshness of the morning, for us youth and the joy of living!”)
The sketches in Persian Pictures give a very real sense of someone who is in thrall to the intoxicating pleasure of travel and who is being seduced by the sights and sounds of the place they are in despite all the challenges and differences. You know, reading Persian Pictures, that Gertrude Bell will be heading east again as soon as she can.
We cling regretfully to the close, but the beginning is what is worth having the beginning with all its freshness, all its enthusiasm, all its unexpected charm, Hercules for strength, Atlanta for speed, Gabriel for fair promise. Say what you will, the end is sad. Do not linger over the possibilities to which (all unfulfilled) it sets a term, but remember the glorious energy which spurred you forward at first, and which lies ready to spring forth anew.
There is a renewed interest in Bell and her life. This is possibly due to the two wars in Iraq and also the re-shaping of the political landscape in much of the Middle East. In 2015, Werner Herzog’s biopic of Bell’s life starring Nicole Kidman, Damian Lewis and Robert Pattinson was released and Bell has also been the subject of several biographies in recent years: